Sexuality in Aubrey Beardsleys Story of Venus and Tannhäuser Essay

Sexuality in Aubrey Beardsley's Story of Venus and Tannhà ¤user Aubrey Beardsley wrote The Story of Venus and Tannhà ¤user during the fin de sià ¨cle, the end of the Victorian Era. This decadent work, following Baudelaire's credo "art for art's sake first of all," portrays sex and sexualities in a playful manner. In addition to mocking conventional Victorian moral codes, and parodying pornographic conventions, The Story of Venus and Tannhà ¤user also supports Foucault's idea that the Victorian Era witnessed a diffusion of sexualities. The Story of Venus and Tannhà ¤user was originally toned down and modified for publication in 1897 in The Savoy, a magazine that Beardsley served as art editor, under the title of Under The Hill. According to Stanley Weintraub, Venus and Tannhà ¤user was "the literally undisciplined and Rabelaisian original. But the longer manuscript's [Venus'] first eight chapters had sufficed for only four refashioned chapters of the purified and playfully footnoted Savoy text [Under the Hill]" (168). Venus and Tannhà ¤user is a decadent work, though the term "decadent" is difficult to define. As Elaine Showalter notes, the term had antithetical connotations at the end of the century. On the one hand, it was "the pejorative label applied by the bourgeoisie to everything that seemed unnatural" (169). But artists who embraced decadence as an aesthetic credo " . . .rejected all that was natural and biological in favor of the inner life of art, artifice, sensation and imagination" (170). Heather Henderson and William Sharpe note that these opposing connotations are typically combined in standard definitions of the term, since "In most cases the word [decadent] suggested an ultra-refined sophistication of taste allied wit... ...ory of Venus and Tannhà ¤user." Aesthetes and Decadents of the 1890's: An Anthology of British Poetry and Prose. Ed. Karl Beckson. Chicago: Academy, 1981. 9-46. Foucault, Michel. The History of Sexuality: An Introduction. Vol 1. New York: Vintage, 1978. Gillette, Paul J. Introduction. The Story of Venus and Tannhà ¤user. By Aubrey Beardsley. New York: Award, 1967. 21-67. Henderson, Heather, and William Sharpe. "Aestheticism, Decadence, and the Fin de Sià ¨cle." The Longman Anthology of British Literature: The Victorian Age. Ed. Heather Henderson and William Sharpe. New York: Longman, 1999. 1936-1938. Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Sià ¨cle. New York: Penguin, 1990. Weintraub, Stanley. Beardsley: A Biography. New York: Braziller, 1967. Zatlin, Linda G. "Beardsley Redresses Venus." Victorian Poetry 28.3-4 (1990): 111-124. Sexuality in Aubrey Beardsley's Story of Venus and Tannhà ¤user Essay Sexuality in Aubrey Beardsley's Story of Venus and Tannhà ¤user Aubrey Beardsley wrote The Story of Venus and Tannhà ¤user during the fin de sià ¨cle, the end of the Victorian Era. This decadent work, following Baudelaire's credo "art for art's sake first of all," portrays sex and sexualities in a playful manner. In addition to mocking conventional Victorian moral codes, and parodying pornographic conventions, The Story of Venus and Tannhà ¤user also supports Foucault's idea that the Victorian Era witnessed a diffusion of sexualities. The Story of Venus and Tannhà ¤user was originally toned down and modified for publication in 1897 in The Savoy, a magazine that Beardsley served as art editor, under the title of Under The Hill. According to Stanley Weintraub, Venus and Tannhà ¤user was "the literally undisciplined and Rabelaisian original. But the longer manuscript's [Venus'] first eight chapters had sufficed for only four refashioned chapters of the purified and playfully footnoted Savoy text [Under the Hill]" (168). Venus and Tannhà ¤user is a decadent work, though the term "decadent" is difficult to define. As Elaine Showalter notes, the term had antithetical connotations at the end of the century. On the one hand, it was "the pejorative label applied by the bourgeoisie to everything that seemed unnatural" (169). But artists who embraced decadence as an aesthetic credo " . . .rejected all that was natural and biological in favor of the inner life of art, artifice, sensation and imagination" (170). Heather Henderson and William Sharpe note that these opposing connotations are typically combined in standard definitions of the term, since "In most cases the word [decadent] suggested an ultra-refined sophistication of taste allied wit... ...ory of Venus and Tannhà ¤user." Aesthetes and Decadents of the 1890's: An Anthology of British Poetry and Prose. Ed. Karl Beckson. Chicago: Academy, 1981. 9-46. Foucault, Michel. The History of Sexuality: An Introduction. Vol 1. New York: Vintage, 1978. Gillette, Paul J. Introduction. The Story of Venus and Tannhà ¤user. By Aubrey Beardsley. New York: Award, 1967. 21-67. Henderson, Heather, and William Sharpe. "Aestheticism, Decadence, and the Fin de Sià ¨cle." The Longman Anthology of British Literature: The Victorian Age. Ed. Heather Henderson and William Sharpe. New York: Longman, 1999. 1936-1938. Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Sià ¨cle. New York: Penguin, 1990. Weintraub, Stanley. Beardsley: A Biography. New York: Braziller, 1967. Zatlin, Linda G. "Beardsley Redresses Venus." Victorian Poetry 28.3-4 (1990): 111-124.

Holidays & Christmas Carnivals Essay

It is hard to find someone, who does not like Christmas. This is one of the most favorite holidays, when families get together, decorate the house, install Christmas tree, prepare some favorite meals, or even arrange parties. And, of course, give and receive presents! I had many interesting celebrations of Christmas, which were different from each other. Once in primary school we arranged a Christmas carnival. There was a beautiful Christmas tree, a lot of delicious meals and music, and, of course, Santa Claus with his presents for every child. Once, on the day before the Christmas my parents decided to make some huge shopping. We bought full truck of the things for house, starting from armchairs, kitchenware, and ending with decorations. So we spent all the Christmas vacations enjoying our new stuff and arranging it. In my secondary school times I had a table mate, who happened to break her leg right on the eve of Christmas. So I bought some presents and chocolates for her, and went to the hospital to bring some happiness to that girl, whose family was rather poor. When I was 14, we went to my aunt’s place for Christmas. I spent some great time there, because I like my cousins very much and we always have a lot of fun together. We played games and had some amazing night forest hike in Christmas night. Two years later the family of my aunt joined my family in celebrating Christmas. So together with my cousins we went to a bowling club and had amazing evening of playing bowling. I proved to be really good in that! And then we had a good party at home again. Once, before having traditional Christmas family gathering, we went to a music club with my friends. There a female band named Rockland Ladies played live. That was impressive: we were dancing and having pretty good time! The last Christmas I spent in a ski mountain camp with my university friends. We went to one of the ski resorts in Colorado and had some great Christmas vacations on the opened air! I think that it is wonderful to celebrate Christmas holiday in a new way every year. That is how I can recreate myself, have some perfect rest and get ready for a new year, and also receive many positive emotions and different unforgettable impressions. Bibliography: †¢ â€Å"Christmas. † Christmas Carnivals. Compare Infobase Pvt. Ltd. 3 Nov. 2005 .

Parametricism The House Style of the Future

What will our houses look like in the 21st century? Will we revive traditional styles like Greek Revivals or Tudor Revivals? Or, will computers shape tomorrows homes? Pritzker Laureate Zaha Hadid and her longtime design partner Patrik Schumacher have pushed the boundaries of design for many years. Their residential building for CityLife Milano is curvaceous and,  some would say, outrageous. How did they do it? Parametric Design Most everyone uses computers these days, but designing exclusively with computer programming tools has been a huge leap in the architecture profession. Architecture has moved from CAD to BIM — from simplified Computer Aided Design to its more complex progeny, Building Information Modeling. Digital architecture is created by manipulating information. What information does a building have? Buildings have measurable dimensions — height, width, and depth. Change the dimensions of these variables, and the object changes in size. Besides walls, floors, and roofing, buildings have doors and windows that can have either fixed dimensions or adjustable, variable dimensions. All of these building components, including the nails and screws, have relationships when they are put together. For example, a floor (whose width might be static or not) might be at a 90 degree angle to the wall, but the depth length may have a range of measurable dimensions, arcing to form a curve. When you change all of these components and their relationships, the object changes form. Architecture is made up of many of these objects, put together with theoretically endless but measurable symmetry and proportion. Different designs in architecture come about by changing the variables and parameters that define them. Daniel Davis, a senior researcher at a BIM consultancy, defines parametric within the context of digital architecture, as a type of geometric model whose geometry is a function of a finite set of parameters. Parametric Modeling Design ideas are visualized through models. Computer software using algorithmic steps can quickly manipulate design variables and parameters — and display / graphically model the resultant designs — faster and easier than humans can by hand drawings. To see how its done, check out this YouTube video from sg2010, the 2010 Smart Geometry conference in Barcelona. The best laymans explanation Ive found comes from PC Magazine: ...a parametric modeler is aware of the characteristics of components and the interactions between them. It maintains consistent relationships between elements as the model is manipulated. For example, in a parametric building modeler, if the pitch of the roof is changed, the walls automatically follow the revised roof line. A parametric mechanical modeler would ensure that two holes are always one inch apart or that one hole is always offset two inches from the edge or that one element is always half the size of another. — from Definition of: parametric modeling from PCMag Digital Group, accessed January 15, 2015 Parametricism Patrik Schumacher, with Zaha Hadid Architects since 1988, coined the term parametricism to define this new type of architecture — designs arising from algorithms used to define shapes and forms. Schumacher says that all elements of architecture are becoming parametrically malleable and thus adaptive to each other and to the context. Instead of aggregating a few platonic solids (cubes, cylinders etc.) into simple compositions  Ã¢â‚¬â€ like all other architectural styles did for 5000 years  Ã¢â‚¬â€ we are now working with inherently variable, adaptive forms that aggregate into continuously differentiated fields or systems. Multiple systems are correlated with each other and with the environment....Parametricism is the most potent movement and avant-garde style in architecture today. — 2012, Patrik Schumacher, Interview On Parametricism Some of the Software Used for Parametric Design GenerativeComponents by BentleyRevit and Maya ® 3D by AutoDeskProcessingGrasshopper, algorithmic modeling for Rhino Building the Single-Family Home Is all this parametric stuff too expensive for the typical consumer? Probably it is today, but not in the near future. As generations of designers pass through architecture schools, architects will know no other way to work than to use BIM software. This process has become affordable commercially because of its component inventory capabilities. The computer algorithm has to know the library of parts in order to manipulate them. Computer Aided Design/Computer Aided Manufacturing (CAD/CAM) software keeps track of all building components and where they go. When the digital model is approved, the program lists the parts and where the builder can assemble them to create the real thing. Frank Gehry has been a pioneer with this technology and his 1997 Bilbao Museum and 2000 EMP are dramatic examples of CAD/CAM. Gehrys 2003 Disney Concert Hall was named one of the Ten Buildings That Changed America. Whats the change? How buildings are designed and built. Criticism of Parametric Design Architect Neil Leach is troubled by Parametricism in that It takes a computational and relates it to an aesthetic. So the question of the 21st century is this: Are designs that result in what some call blobitecture beautiful and aesthetically pleasing? The jury is out, but here are what people are saying: Although they look sci-fi futuristic, they are also curiously one-dimensional, for nothing ages faster than yesterday’s vision of the future. Just ask Jules Verne. — Witold Rybczynski, 2013Architecture is NOT ART although FORM is our specific contribution to the evolution of world society. — Patrik Schumacher, 2014Federation Square in Melbourne, Australia — Named by The Telegraph (UK) as One of the Worlds 30 Ugliest Buildings (no. 14)The Guardian described Zaha Hadids proposed design for Tokyos 2020 Olympic stadium as looking like a gigantic bicycle helmet plonked down in the gardens of the Meiji Shrine.Parametricism is ready to go mainstream. The style war has begun. — Patrik Schumacher, 2010 Confused? Maybe its just too difficult even for architects to explain. We believe that there are no parameters to design, say a group of architects calling their firm Design Parameters LLC. No limitations. No boundaries. Our work over the past decade reflects this best....anything can be designed and built. Many have questioned exactly this: just because anything CAN be designed and built, SHOULD it? Learn More Parametric Design: a Brief History, AIA California Council (AIACC), June 25, 2012 (also read the comments area at the end of this article for the names of more parametric pioneers)Parametricist Manifesto, 11th Architecture Biennale, Venice 2008Rethinking Architecture blog by Jaroslaw CeborskiDesigning with Nature: Designing with Parameters – What’s Next?, The Architecture Foundation, February 27, 2014Lost Amid the Algorithms by Witold Rybczynski, Architect, June 2013, Posted online July 11, 2013Do You See a Pattern? by Witold Rybczynski, Slate, Dec. 2 2009Are Drafters Done? Read More The New Mathematics of Architecture by Jane Burry and Mark Burry, Thames Hudson, 2012The Autopoiesis of Architecture: A New Framework for Architecture by Patrik Schumacher, Wiley, 2010The Autopoiesis of Architecture, Volume II: A New Agenda for Architecture by Patrik Schumacher, Wiley, 2012Inside Smartgeometry: Expanding the Architectural Possibilities of Computational Design, Brady Peters and Terri Peters, eds., Wiley, 2013Computation Works: The Building of Algorithmic Thought by Xavier De Kestelier and Brady Peters, eds., Architectural Design, Volume 83, Issue 2 (March/April 2013)A Pattern Language: Towns, Buildings, Construction by Christopher Alexander, Oxford University Press, 1977The Timeless Way of Building by Christopher Alexander, Oxford University Press, 1979Elements of Parametric Design by Robert Woodbury, Routledge, 2010, and the companion website elementsofparametricdesign.com/ Sources On Parametricism - A Dialogue between Neil Leach and Patrik Schumacher, May 2012 [accessed January 15, 2015]Lost Amid the Algorithms by Witold Rybczynski, Architect, June 2013, Posted online July 11, 2013 [accessed January 15, 2015]A Total Makeover: Five Questions To Patrik Schumacher, March 23, 2014 [accessed January 15, 2015]Patrik Schumacher on parametricism, Architects Journal (AJ) Uk, May 6, 2010 [accessed January 15, 2015]Patrik Schumacher – Parametricism, Blog by Daniel Davis, September 25, 2010 [accessed January 15, 2015]Zaha Hadids Tokyo Olympic stadium slammed as a monumental mistake and a disgrace to future generations by Oliver Wainwright, The Guardian, November 6, 2014 [accessed January 15, 2015]About, Design Parameters website [accessed January 15, 2015]